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Studies in Theory of Literary Plot and Narratology
Digital network scientific journal For specialists in literature and folklor |
DOI: 10.25205/2410-7883 Roskomnadzor certificate number Эл № ФС 77-84792 | |
Syuzhetologiya i Syuzhetografiya | |
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ArticleName: Sadeq Hedayat’s Three Drops of Blood and The Blind Owl and Nikolai Leskov’s Lady Macbeth of Mtsensk District Authors: Jalil Nozari Independent Researcher, Bandar Mahshahr, Iran In the section The Plot in Literature and Folklore
Abstract: After more than seven decades since its publication, Sadeq Hedayat’s The Blind Owl still remains a mystery to critical analysis. The appearance of Mustafa Farzane’s Rencontres avec Sadeqh Hedayat provides us with threads to finding answers to some of the ambiguities surrounding the Persian novella. According to Farzaneh, Hedayat advised him to read the story of Ledi Makbet Mtsenskogo Uezda by the Russian writer Nicholas Leskov to find clues to the love aspects of The Blind Owl. This article is an attempt to determine the bearing Farzane’s testimony may have on the study of Hedayat’s novella and another shorter work of his entitled Three Drops of Blood. By referring to Shakespeare’s Macbeth that the Russian novel’s title is an allusion to, the study reveals that there are a number of interesting relations, from imagery to the theme of existences as penal colony, a Schopenhauerian notion, shared by these texts. Keywords: Sadeq Hedayat, Nikolai Leskov, Mostafa Farzaneh, Shakespeare, The Blind Owl, Ledi Makbet, authenticity, Three Drops of Blood, Modern Persian Literature Bibliography: Farzaneh, Mostafa. Ashnayi ba Sadeq Hedayat [Rencontres avec Sadeqh Hedayat]. Tehran, Nashr Markaz, 1372 (1994). Hedayat, Sadeq. The Blind Owl. Trans. D. P. Costello, Grove Press, Inc. New York, 3rd printing, 1978a. Hedayat, Sadeq. “Three Drops of Blood.” Hedayat’s ‘The Blind Owl’ Forty Years After, Trans. Austin, Guity Neshat & Marilyn Robinson Waldman, University of Texas, 1978b. Leskov, Nikolai. Lady Macbeth of Mtsensk District. Trans. David Magarshack, London, Secker and Warburg, 1961. |
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